VLADIMIR MILADINOVIĆ (*1981 Belgrade) Miladinović’s main interests lie with the politics of remembering, media manipulation and the creation and reinterpretation of the history. His work engages with war and post-war trauma. It deals with media, forensics, political and ethical identification and presentation of war crimes, but also with current transitional ideologies of denial and erasure. It questions how media and institutions in the post-war societies create public space, consequently shaping collective memory. He is using art as a forum to create a counter-public sphere that raises question about war, media propaganda, manipulation of narrative, historical responsibility and intellectual engagement. He was the laureate of the 53rd October Salon Award in Belgrade and has exhibited widely across Europe, at the SMBA – Stedelijk Museum Bureau Amsterdam (Amsterdam, Netherlands), Artium – Basque Museum Centre of Contemporary Art (Vitoria, Spain), Münchner Stadtmuseum (Munich, Germany), Salzburger Künstverein (Salzburg, Austria), FreiraumQ21 – Museumsquartier (Vienna, Austria), CACT-Thessaloniki Center Of Contemporary Art (Thessaloniki, Greece) etc.
VLADIMIR MILADINOVIĆ (*1981 Belgrade) Miladinović’s main interests lie with the politics of remembering, media manipulation and the creation and reinterpretation of the history. His work engages with war and post-war trauma. It deals with media, forensics, political and ethical identification and presentation of war crimes, but also with current transitional ideologies of denial and erasure. It questions how media and institutions in the post-war societies create public space, consequently shaping collective memory. He is using art as a forum to create a counter-public sphere that raises question about war, media propaganda, manipulation of narrative, historical responsibility and intellectual engagement. He was the laureate of the 53rd October Salon Award in Belgrade and has exhibited widely across Europe, at the SMBA – Stedelijk Museum Bureau Amsterdam (Amsterdam, Netherlands), Artium – Basque Museum Centre of Contemporary Art (Vitoria, Spain), Münchner Stadtmuseum (Munich, Germany), Salzburger Künstverein (Salzburg, Austria), FreiraumQ21 – Museumsquartier (Vienna, Austria), CACT-Thessaloniki Center Of Contemporary Art (Thessaloniki, Greece) etc.
SOLO EXHIBITIONS
| 2023 | EVROVIZION: CROSSING STORIES AND SPACES by ifa (Institut für Auslandsbeziehungen) in cooperation with Goethe-Institut Athen and EMΣT, the National Museum of Contemporary Art Athens, Greece |
| 2022 | When Language is Lost. Possibilities of Art In The Face of War: One Day With Anti War Coalition, ZKM, Karlsruhe, Germany |
| 2020 | The Notebook, Eugster || Belgrade, Belgrade, Serbia |
| 2019 | Kino, Lumbardhi Cinema, Prizren, Kosovo |
| 2018 | Η αναπαράσταση της αμφιλεγόμενης μνήμης, Donopoulos Fine Arts, (Curated by Syrago Tsiara), Thessaloniki, Greece Disturbed Soil, Eugster || Belgrade, (Curated by Natalija Paunic), Belgrade, Serbia |
| 2017 | Hasanović|Miladinović, Belgrade Cultural Center, Gallery Podroom, Belgrade, Serbia |
| 2016 | Between knoledge and imagination, MMSU – Museum of Modern and Contemporary Art, Rijeka, Croatia |
| 2015 | Rendered history, Gallery Moderna, Subotica, Serbia |
| 2014 | Kninjas – Knights of Srpska Krajina, MKC – Multimedial Cultural Center , Split, Croatia |
| 2012 | Golden age, Magacin u Kraljevića Marka, Kontekst kolektiv, Belgrade, Serbia |
| 2011 | Worker in protest, Mesna zajednica Novi Beograd, Kontekst kolektiv, Belgrade, Serbia |
| 2008 | No Gun No Respect, Gallery SULUJ, Belgrade, Serbia |
GROUP EXHIBITIONS
| 2022 | Pazi snajper (Watch out, a sniper), (Curated by Paul Lowe), EnDziO HUB, Belgrade, Serbia |
| 2021 | Evrovizion.Crossing Stories And Spaces, The Museum of Contemporary Art Vojvodina, Novi Sad, Serbia
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| 2021 | ARCO Madrid Art Fair, Eugster || Belgrade, Madrid |
| 2019 | Skriveno nasleđe, Golubački grad Fortress, Golubac, Serbia |
| 2018 | Re-conciliations, The Exchange, Bush House, King’s College, (Curated by Paul Lowe & Milena Mihalski), London, UK |
| 2017 | Testimony, Truth or Politics, (Curated by Noa Treister and Zoran Eric), Legat Čolaković, Museum of Contemporary Art, Belgrade, Serbia
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| 2016 | Selection 2016, Laufer/Eugster Gallery, Swiss embassy residence, Belgrade, Serbia |
| 2015 | A Moving Identity, NW Gallery – Cambridge Science Park, Cambridge, United Kingdom |
| 2014 | Work presentation of the artist in residency, Austellungsraum des Bundeskanzleramtes, Wien, Austria |
| 2013 | Der Weg Nach Europa mit Princip(ien) oder ohne, (Curated by Mia David & Zorana Djakovic Minniti), Palais Porcia, Vienna, Austria |
| 2012 | Places of Memory – Fields of Vision (Curated by Syrago Tsiara), Contemporary Art Center, Thessaloniki, Greece |
| 2011 | Hands aufs Hartz, Student exhibition of the International Summer Academy of Fine Arts, Festungspiele, Salzburg, Austria |
| 2009 | Anonymous Drawings No 10, International Drawings Exhibition, Berlin, Germany |
PUBLICATIONS
| 2020 | |
| 2018 | Kritik an der Serbischen Kulturpolitik- “Weggeworfen, vergessen oder verleugnet”, Deutschlandfunk Kultur, Berlin, Germany |
| 2017 | Rendered History, Witness Between History and Memory Magazine, Stephenie A. Young, Brussels, Belgium |
| 2016 | Acts of Acknowledgment, by Lura Limani, Prishtina Insight, Pristina, Kosovo |
| 2015 | Rendered History, Forum ZFD, Belgrade, Serbia |
| 2014 | Forensic The Architecture of Public Truth, Edited by Forensic Architecture, Sternberg Press, Berlin |
| 2012 | Externalisation of Memory through Visual Media, Theatre Film Television, Službeni Glasnik, Belgrade, Serbia |
| 2011 | Politicization of Memory Through the Monument Culture, Paper for the project Questioning Transitional Dynamics in Re-Defining Cultural Identities in South Eastern Europe |
TALKS/PRESENTATIONS
| 2019 | Archives and Embodiment Conference / Invited Speaker, UAL – Central Saint Martins, London, UK |
| 2018 | Forensic Aesthetics / Artist Talk, UAL – London College of Communication, London, UK |
| 2017 | Emerging Consequences: Aesthetics in the Aftermath of Atrocity / Invited Speaker, Center for Holocaust and Genocide Studies, Salem State University, Boston, USA |
| 2014 | Between Facts and Fiction / Artist Talk, ZFD-Forum Ziviler Friedensdienst, Pristina, Kosovo |
| 2012 | Living Death Camp and Forensic Aesthetics: Where Subjugated Knowledge is Sociability Occurs / Invited Speaker, Public working gatherings (meetings, lectures, discussions), Initiative Of Contemporary Art and Theory / Goldsmiths University / Centre for Cultural Decontamination, CZKD, Belgrade, Serbia |
| 2011 | Omarska ist das Echo von Auschwitz / Keynote Speaker, Konferenz in der Friedensstadt Linz, Zentrum der zeitgemäßen Initiativen, Linz, Austria |